Category Archives: Incidental

Rest in Peace Amala.

 

Bree Blakeman Preexam Thesis Sep9 2013_V2

 

Rest in Peace amala, my old Mummy, who always told me that I didn’t treat my husband right, whose company I adored. (If one could explain the art of witty, acerbic conversation in Yolŋu-matha, and the skilful play on words, switching across and back between languages.) Countless hours together in company under the mango tree, weaving, talking, smoking and drinking tea (and amala would often break into song, so quietly, half facing away). She taught my dhuway what it meant to be a son-in-law and he duly avoided her as his mokul, sending gifts and care through his galay, my brothers and sisters. She was my amala and I was her waku.

It was amala’s Mother’s country that I came to call my own. It was her father’s country that we footwalked to, to scour the rocks for oysters. To stop in the dry and rest. I was never the most adept hunter, or gatherer, for that matter, and so often stayed behind to look after amala (her brain already slightly gapu-mirri). Chattering away even when I dozed off. Sometimes amala mistook the shower for a toilet and sometimes I’d wake up just in time to catch her trying to light a fire inside to keep the sandflies from biting me as I slept. One could only half sleep, but I so loved this time that we spent together.

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Marrtji yukurra wetlands-kurru

 

 

 

 

 

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An incidental post-it note

 

 

sometimes1

 

 

#morningbikeridethoughts

 

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Bin thinking.

 

 

 

 

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Head + ghost + dog = blunt ears: a curious language note

 

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One of my few PhD fieldwork regrets is that I didn’t take the time to learn Yolŋu sign language. I had the great fortune of having a beer conversation with two long term researchers in this area last night, Dany Adone and Bentley James. Adone and Maypilama (2013) define Yolŋu sign language as  both an alternate and primary sign language. It is used on a daily basis on the Homelands, as a way to talk to each other from a distance (when out of hearing range), as a way to communicate when out hunting (when you want to be quiet for obvious reasons), and as a means to communicate things you just don’t want others to hear. Children also often use it just because. My little gaminyarr, for example, tells the most hilarious stories in sign-language, made all the more funny on account of her overly exaggerated manner of signing.

Anyway, the other day Bentley shared with me the hand-sign for the idiom buthuru-dumuk, and I found it a little big bit more than curious. Buthuru-dumuk (literally ‘ears-blunt’), is a Yolŋu-matha idiom used to refer to people who behave in an unthinking or unfeeling manner (and who upset or affront others as a result). It has connotations of being insensate, ignorant and unaware. The hand-sign for buthuru-dumuk, however, is comprised of three separate hand-signs: the sign for liya (head), the sign for mokuy (ghost, evil spirit) and the sign for watu (dog). Head + ghost/evil spirit + dog = buthuru dhumuk. How could one not find this impossibly curious?

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Quotations of note: Arundhati Roy (on writing)

 

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‘Writers imagine that they cull stories from the world. I’m beginning to believe that vanity makes them think so. That it’s actually the other way around. Stories cull writers from the world. Stories reveal themselves to us. The public narrative, the private narrative — they colonize us. They commission us. They insist on being told. Fiction and non-fiction are only different techniques of story telling. For reasons I do not fully understand, fiction dances out of me. Non-fiction is wrenched out by the aching, broken world I wake up to every morning.’

 

 

 

The full text can be found here.

Incidentally, Arundhati Roy is also (as I have learned only recently) a seriously impressive ethnographer. The featured image was taken while she was doing research for what became her recent book, ‘Walking with The Comrades.’ You can read an excerpt from this book here or alternatively listen to Arundhati read the excerpt herself – which I highly recommend – featured as a podcast (#11), here.

 

 

 

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Because it’s never always academic

 

I’ve not been able to play the guitar for a long time now. And I am quite enjoying it muchly.

 

 

 

 

 

 

 

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An intermediary notation: driving with music playing very loudly in one’s ears

 

It’s that time of thesis writing where I need to put in 10am-10pm hours to submit. I have my swag rolled up under my desk and have just returned from a weekend visit to Kyneton where my brother, his partner, my little niece, and their little dog Lotte live. They have very kindly offered to keep ŋarraku beloved wuŋgan (‘my beloved dog’) company while I put these long hours in in the office.

This is a brief note on driving back to Canberra while listening to music very loudly in one’s ears. Who says our life is not a music clip. The song in this clip is Invite Me by Adalita, from her first self titled album.

 

 

 

 

 

 

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An incidental typewritten notation: Instead of ‘Stateless societies’ …

 

 

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An incidental typewritten note: MAUSS AND PROUDHON

 

 

typenotemauss

 

 

 

 

 

 

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