I cringed reading certain parts of this (see, ‘she makes things grow by magically extending motherhood’ and ‘she internalises them as a woman does a child’), but the narrative itself is super interesting and richly layered. There are elements that remind me of a lot of The Djan’kawu actually – a Yolŋu creation narrative that recounts the exploits of a man and two sisters as foundational ancestral figures for the Dhuwa moiety.
*Please note: this excerpt includes references to sexual coercion.
‘The Gimi of Papua New Guinea exchange sisters in marriage, and these dual ceremonies ideally take place at the same time as the initiation of their adolescent brothers. Before their marriage, the pairs of future sister-in-law are secluded inside the house of the mother of one of them, and, while being deprived of food and sleep, they are taught the songs and incantations necessary for successful gardening and the raising of pigs. The women pile wood onto the fire in the centre of the hut and tell the girls that the heat will make them sweat and remove their menstrual blood. Women’s gardening and pig-rearing songs are related to their myths, and to their ‘Blood’ and ‘Moon’ songs that they sing to bring their periods to a close. During the initial phases of the initiation and the rites of marriage, a girl receives spells and songs from older women. These food spells are secret and shared only between classificatory mothers and daughters, and between the mothers-in-law and daughters-in-law (Gillison, 1993: 155-9).
Production and reproduction are linked in Gimi philosophy because a woman is thought to be able to transform her life-force (auna) into food over time. She sends her auna into plants and animals through a repetitive process of singing, talking, cajoling and caressing. In a sense, she makes things grow by magically extending motherhood into other objects. Through songs and chants, a woman joins her auna with that of the plan or animal, and internalizes them as a woman does a child. But her power to make things grow, to conceive a child, originates in the source of her auna, that is, in her menstrual blood (ibid.: 199-201). Thus a woman’s body and its reproductive potential are imagined in relation to specific sets of social and productive relationships. Continue reading